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Something just occured to me, and I'm sure that the A:TS devotees have figured out the answer to this already.

Why the hell didn't Angel lose his soul when Connor was born? Or, just after, when Darla had gone Pfft!, and he had a tiny, wriggly baby in his arms? And don't go on about his fear for Connor's well-being - he managed perfect happiness with Buffy when the world was about to end.

So?

*brain!cramp*

Date: 2006-02-22 12:25 pm (UTC)
From: [identity profile] ex-ms-katoni171.livejournal.com
Grief over Darla marring the happiness? Sure, he had his son, but he'd lost his sire again, and for good this time. At the actual birth moment, I'm sure it was shock rather than happiness going through his mind.

It could also be that he was scared for not only the kid's wellbeing but that he wouldn't make a good father. Given Angel's personality, I'm nearly certain that would be it.

Date: 2006-02-22 01:17 pm (UTC)
From: [identity profile] selenak.livejournal.com
he managed perfect happiness with Buffy given that he was faced with the prospect of killing Spike&Dru, who I do believe he loves, at least as much as Darla if not more.

'scuse me, but no. Not that he doesn't love them, but he doesn't feel more for tham than for Darla. That's fanon which was thoroughly blasted into smithereens by season 2 of AtS.

Date: 2006-02-22 01:30 pm (UTC)
From: [identity profile] selenak.livejournal.com
Of course it's love, I never denied it, and never claimed he didn't care, but:

He disposes of Penn pretty damned easily, but he's with those two for almost as long as he's with Darla

You suck at maths almost as much as Joss.

Liam gets sired by Darla in 1753.

Drusilla gets sired by Angel in 1860.

William gets sired by Drusilla in 1880.

Angel gets the soul in 1898, then comes back in 1900 for a brief return visit in China.

Now, in what universe makes that the same time for Dru and Spike as it does for Darla? Darla/Angel = 150 years. Angel/Darla/Dru: 40 years. Angel/Darla/Dru/Spike: 20 years. Sorry, no way around it.

And of course Darla was his equal with a slight edge of dominating him. One of the things I love about the relationship. Spike and Dru were the kids. Not coincidentally, the kids who never got a clue why Dad left; note that Darla doesn't tell them during her attempt to convince the gyspies, hence Spike eating same, Dru doesn't notice in China, and when showing up in Sunnydale, Spike STILL doesn't know about the soul until he actually meets Angel.

Date: 2006-02-22 02:08 pm (UTC)
From: [identity profile] selenak.livejournal.com
Oh, if you're going to use the truth against me...

Very unfair of me, I know.*g* Incidentally, my rp-partner-in-crime [livejournal.com profile] karabair once made a similar mistake when she had the Immortal mention something to Darla with the addendum of what a pity it was this was before her time, and I promptly and gleefully, because I'm nerdish that way, pointed out it wasn't, as Darla got sired in 1606, not, as Carrie had subconsciously assumed, in the 18th century like Angel.

Here's an interesting thing, though: Hearthrob has Darla and Angel hanging out with James & Elisabeth in the late 1700s, who came across as proto-Spike and Dru, except with paler personalities, which is presumably why Darla and Angel ditched them. But it would indicate that they were looking to, well, form a secondary couple like S & D to compliment and contrast them. I wonder whether that was the wish to have children as well...

I always thought that the Hearthrob flashback summed up the Angelus/Darla relationship beautifully, which is quite different from Spike/Dru - [livejournal.com profile] thalia_seawood once compared it to the Marquise de Merteuil and Valmont:

ELISABETH: (to Darla) I heard he trapped you both in a barn and *you* fled, leaving him to die.

JAMES: It's not true.

ANGELUS: It's entirely true. She hit me with a shovel, wished me luck and rode off on our only horse.

DARLA: (smiling at Angelus) Life is full of surprises.

ANGELUS: (smiling back) Ah, life is boring. You're full of surprises.

DARLA: Of course when you finally did catch up with me in Vienna I had to pay for my sins, again and again.

ANGELUS: Hmm, can you even begin to fathom the things that we did? Of course not. You're in love.


Order of love: yes, that would be my ranking as well, with Wesley outranking Fred, definitely.

Oh, and because it's fun, another flashback quote, which has a Darla sentence which is black irony in retrospect but neatly illustrates something about her and Angel's idea of family. From when Holtz has Angelus captured in Rome:


HOLTZ: I don't want anything. My family is gone. I don't trust you to give me Darla, although I *will* find her, you know that. My only desire here is to discover if a thing such as yourself can be made to pay for its sins. (Holtz digs the claw-thingy in somewhere below Angelus waist (off screen) and Angelus groans in pain) You're a demon. It is your nature to maim and kill. But you were also once a man. If we beat and burn the demon out of your living flesh, will there be anything left? Anything at all? I doubt it. But I'm willing to spend the next fortnight of my life finding out. In either event, you have no soul, you can not be saved.

(A flaming arrow streaks across the room and buries itself in one of the monks.)

DARLA: Sorry it took me so long, darling. (to her minions) Kill them.

(monks vs vamps battle)

MONSIGNOR: (Cross at Darla) Vai' all inferno, demonio lordo! (subtitle: Go to hell foul demon!)

(Darla pushes the cross aside, then sends the Monsignor flying into a wall.

DARLA: No, grazie, padre.

(more of Darla's minions arrive, with a cart. Darla frees Angelus and they climb in the back.)

ANGELUS: Darlin'?

DARLA: What?

ANGELUS: Shouldn't we be killing Holtz?

DARLA: I know, but it's just so much fun ruining his life. He's like family now.


Part and parcel, really. They both protect them.

I think it's also that as long as they don't know, the parents can pretend it might one day get back to the old family again. Certainly Darla staying with Spike and Dru after Angel has left has something to do with that.

Darla timeline

Date: 2006-02-22 02:46 pm (UTC)
From: [identity profile] selenak.livejournal.com
Argh, sorry, checked again - 1609 it is, not 1606, and Jamestown is named on screen as the place.

I still love the idea of a 1602/A:TS crossover, because the Jossverse can't be ours anyway. Just think of all the Catholics running around in overabundance. Now Liam, okay, Irish, but:

- the Master poses as a priest towards Darla, and I get the distinct impression he's meant to be taken as a Catholic priest

- Daniel Holtz, a Yorkshire man from the later half of the 18th century, is Catholic when it would make far more sense if he were a Wesleyan (he) or at any rate a CoE Protestant

- Drusilla, a girl in London in 1860, is a Catholic as well

Re: Darla timeline

Date: 2006-02-23 01:37 pm (UTC)
From: [identity profile] selenak.livejournal.com
I know, I know. But you know, in the Jossverse, Anya starts the Russian revolution in 1905, so clearly, AU.

*roots for 1602 crossover*

Date: 2006-02-23 01:42 pm (UTC)
From: [identity profile] selenak.livejournal.com
I completely forgot about them!

They weren't that memorable.*g* But interesting in what their existence says about the Fanged Four dynamics.

I think that maybe Dru was Spike's charge, in a way - he devoted all his time to taking care of her, so he didn't feel the need to bring anyone else over.

Yes, though consider that sickly Drusilla as we meet her is atypical; she's a lunatic but quite capable of taking her of herself (or Spike) in the flashbacks and post-What's My Line. Also, the very first thing William the vampire did was to sire Mother, and given how that turned out, he might have been scarred for good as far as genuine "children" as opposed to disposable minions were concerned.

Is this more S4 stuff I'm missing? *g* It's funny, I'd instinctually rank them in that way, but the gap between the Wes/Angel relationship end of season 3 and it during S5 is so vast for me that I just had to shake my head and hit the re-set button.

Well, yes, because season 4 shows the two of them coming to terms. They have some great scenes together.

Hee! That's so true!

I know! Black, black irony!

Date: 2006-02-22 12:42 pm (UTC)
From: [identity profile] selenak.livejournal.com
It's what [livejournal.com profile] londonkds calls the big plot hole of season 3.*g* Because while I agree with your replier above that in the immediate aftermath of Darla's loss, the happiness couldn't be perfect, Angel is pretty damm happy between Dad and early on in Sleep Tight (at which point W&H have spiked his blood with Connor's and he's too torn and angsty even before Wesley abducts the kid to be perfectly happy).

My own fanwank is that when he lost his soul with Buffy, Angel had not been aware of the danger. When baby Connor was around, he was, and that awareness saves his soul.

Also, observe that in his perfect day fantasy in Awakening (season 4), when he does lose his soul courtesy of said fantasy induced by a shaman, not just one thing has to be right for him to be happy, but all (he kills the Big Bad, Connor reconciles with him and tells him he loves him, Cordelia reconciles with him and tells him she loves only him, Wesley and Gunn reconcile and make up, ditto Wes and Angel, and then amongst the universal bliss the soul-losing state is reached). Which wasn't the case even in the brief period of Connor-the-baby being around.

Date: 2006-02-22 01:14 pm (UTC)
From: [identity profile] selenak.livejournal.com
You skipped season 4? *swallows best season ever rant with a big effort*

That, err, should be rectified. Season 3 was where I almost lost faith in the show. Season 4 was when I recovered it, big time. 5 is nice, but 4 is truly outstanding, and surpasses 2 in my personal estimation because it doesn't have that break in tone and theme the Pylea episodes do in 2.

Also, how on earth can you read stories dealing with Connor and Angel in any fashion whatsoever without having seen the Angel-and-Connor season in its Greek Tragedy glory? That's like someone reading Londo/G'Kar without having seen more than, say, The Very Long Night of Londo Mollari in season 5.

And does this mean that Angel didn't care about anyone in his life other than Buffy pre- A:TS, as her trust was enough for him then? Or has he simply become more accustomed to living amongst humans and has more demands?

Both, I think. He simply didn't have any other ties to anyone in Sunnydale. Buffy's friends were just that, even pre-Angelus, Buffy's friends, not his. And the season 2 flashbacks to the 1950s illustrate what was probably the last time Angel openend up to a human pre-Sunnydale, which of course resulted in disaster.

Whereas the years in Los Angeles made him form close ties with several people, so just being okay with one of them won't do the trick. Moreover, he has taken on a patriarchal role he didn't have in Sunnydale - feeling responsible for his friends' well-being just wasn't the case there.

Date: 2006-02-22 01:44 pm (UTC)
From: [identity profile] selenak.livejournal.com
See, I've heard otherwise. I've heard horror stories of just how terrible the season was wrt the other characters - say, hmm, Cordelia and Wesley,

Absolutely not. Wesley has a fantastic arc in that season, and the Wesley fans I know, even those who absolutely hate Connor, love him in that season most of all. (And then there are all the Wes/Lilah 'shippers going wild over their relationship in that season, but I'm not talking just about that aspect of his arc.) As for Cordelia, season 4 was what made me able to stand the sanctification of Cordelia in season 3 again, because of the Jasmine retcon. Give me possessed!Cordy over St. Cordy any time of the week, month or year.

Season 4 was great for the entire ensemble in a way that season 5 wasn't. (5 was nice, like I said, and centered on Angel and Spike, with some minor arcs for Gunn and late in the season Illyria turning up, but Fred and Wesley didn't have nearly as much to do, or weren't nearly as deeply explored like in 4.) The Angel/Connor story was at the heart of it, but it was also when Fred had her two best episodes ever (not Amy Acker the actress, because I do adore Illyria, but Fred the character), Supersymmetry and Magic Bullet, and her and Gunn's mutual falling of the pedestals because of the events of Supersymmetry and falling out was far better done and more realistic than either their romance in season 3 or Fred/Wes in season 5. Then there was Jasmine, who was Galadriel who took the ring, a very different kind of Big Bad than your usual "I wanna destroy the world" thing. And the guest stars - Faith - with Faith and Wesley FINALLY having the chance to deal with what happened between them - Gwen and of course Angel's stint as Angelus were terrific.

Look, I know Connor isn't popular, and I don't expect everyone to share my love for the character. But from a writing pov, with its tightly written arc from the very first scene of Deep Down to the very last one in Home, 4 really takes the crown for best written entire season, and especially best written entire season for the entire ensemble.

Date: 2006-02-22 02:34 pm (UTC)
From: [identity profile] selenak.livejournal.com
*hisses* Yeah. S3!Cordy was just... wrong.

We're utterly in agreement there. Which is why I never understood why people complained about what S4 "did to Cordelia". I'm always: "FOUR? You mean THREE, surely? 4 salvaged her by retconning the 3 abomination into Cordy being manipulated, influenced and prompted by a Power That Was during that period. It allows me to forgive such s 3 lines like "the only feelings I care about are Angel's" because now I know she was Under The Influence.

I do absolutely adore Faith, and to have her share screen time with Wesley would be ... ace.

Lots and lots of screen time. Everything I hoped for ever since Five by Five.

But the Cordelia/Connor dynamic never worked for me, and I just didn't 'get' where he was coming from. I couldn't connect with him and that makes it very hard for me to actually care what happens to him.

Well, if you didn't see it on screen, that doesn't surprise me.*g* No, seriously: I don't think reading scripts is a replacement. Every actor brings a lot into the character, after all, and Vincent Kartheiser certainly does. Also, I'm of the heretic opinion that his chemistry with David Boreanaz easily rivals James Marsters'. As for where Connor came from in general, well, I wrote an entire essay about the boy, so I will just point there.

Carnivale meta:

http://selenak.livejournal.com/137715.html

http://selenak.livejournal.com/2005/02/03/

http://selenak.livejournal.com/138627.html

http://selenak.livejournal.com/138925.html

http://selenak.livejournal.com/139245.html#cutid1

http://selenak.livejournal.com/139426.html

http://selenak.livejournal.com/142199.html

http://selenak.livejournal.com/145168.html

http://selenak.livejournal.com/147248.html








Date: 2006-02-22 02:41 pm (UTC)
From: [identity profile] selenak.livejournal.com
Oh, forgot one entry, the last one:

http://selenak.livejournal.com/148163.html

Date: 2006-02-22 02:58 pm (UTC)
From: [identity profile] selenak.livejournal.com
Oh, in that case, stop after this one:

http://selenak.livejournal.com/139245.html#cutid1

Also, you might want to stop watching the show altogether. Trust me on this. Season 1 was wonderful. Then Ron Moore who coproduced the first season together with Daniel Knauf left to do BSG, and with him, alas, went moral ambiguity as well as f/f and young man/older woman pairings.

Date: 2006-02-23 01:18 pm (UTC)
From: [identity profile] selenak.livejournal.com
Alack. Alas. I mean, I should have been prepared for this, because both Knauf in the audio commentary and Moore in an interview mentioned that the entire Brother Justin season 1 storyline was moore - in Knauf's original pilot, Justin was an evil preacher (tm), and Iris and Norman didn't exist, and Moore rewrote said pilot and suggested a storyline that would lead Justin to the point where he accepts antichristdom.

Which is all well done, and I could have lived with Justin as reluctant anti christ, but what we get in the second season pretty soon is just your standard fantasy good versus evil stuff....

Date: 2006-02-22 03:02 pm (UTC)
From: [identity profile] selenak.livejournal.com
You can, however, read this one (http://selenak.livejournal.com/147248.html) which only refers to a season 2 thing obscurely and at any rate is meta fandom fun, about the depiction of screen villains in many a show.

Date: 2006-02-22 03:09 pm (UTC)
From: [identity profile] queenspanky.livejournal.com
Wesley's arc in S3 and S4 is the best, but I so loathed the whole evil Cordy thing. I know, it was done well, but she was my fave and then they kinda character-deathed her, which I felt even more in S5 when she turns up being the Cordy I knew and loved. So it's kinda been me feeding Kangeiko resons not to watch S4. My bad.

Mini rant over. I'm very much enjoying this debate between you and Kangeiko!

Date: 2006-02-22 03:25 pm (UTC)
From: [identity profile] selenak.livejournal.com
Like I said, to me, they character-deathed Cordelia in season 3 - she used to be my favourite for a long time, but the way she was written in the second half of season 3, especially in the last three eps or so, just revolted me beyond measure and killed the love. Wereas the s 4 version, see above.

By now, I've unearthed some more season 4 meta, some by me and some by others, in case you're interested:

season 4, Deep Down till Slouching Towards Bethlehem:

http://selenak.livejournal.com/104073.html

Supersymmetry till Habeas Corpses:

http://selenak.livejournal.com/104252.html

Long Days Journey into the Night till Soulless:

http://selenak.livejournal.com/104813.html

Salvage till Inside Out

http://selenak.livejournal.com/104675.html

Magic Bullet till Home

http://selenak.livejournal.com/104999.html

Connor in general, season 3 till 5:

http://selenak.livejournal.com/192055.html

Cordelia in season 4, by [livejournal.com profile] wisdomeagle, which contains some great speculation about just when Cordy isn't herself anymore and how much she is, and isn't responsible for her actions:

http://wisdomeagle.livejournal.com/474122.html

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